Infos zum Kunstwerk
  • Jahr: 2017
  • Ort: Abuja
  • Land: Nigeria (9.0643305,7.4892974) exempl.
  • Kategorie: Müll/ Recycling/ Upcyling, Ökonomie, Partizipation/ Soziales/ Politik, Ressourcen/ Energie/ Atom/ Fossil, und Umweltverschmutzung und -zerstörung/ Gifte
  • Tags:
  • Künstler: Hazoumè, Romuald
    geburtsjahr: 1962
    geburtsland: Benin

Für Arbeiten wie COCOTAMBA montiert Hazoumè gebrauchte Plastikkanister (frz. bidon), die für Benzin oder Wasser verwendet wurden, zu Masken. Dies führt Ausbeutungsmechanismen, Umweltschäden und die Prinzipien des Kunstmarktes vor Augen.

„Twisting references to the commodity and exchange economy that drives our interdependent and interconnected world order—the black market trade of bidontransporting products that sustain corruption and exploit workers in African countries; the cheap, nearly non-biodegradable plastic polluting the environment of emerging economies; and the salvaged containers remade and assigned new value as marketable art products—Hazoumè upends the model that had previously subordinated African cultural expression to Western formalist ideals and gives Modernism an ironic spin.” (Susan Canning)

“I send back to the West that which belongs to them, which is to say, the refuse of consumer society that invades us every day.” (Romuald Hazoumè)

Iroquois © Romuald Hazoumè, ADAGP, 2009 – Courtesy Galerie MAGNIN-A, Paris
Nanawax, 2009 © Romuald Hazoumè, ADAGP, 2009 – Courtesy Galerie MAGNIN-A, Paris

The Atlas for Art on Ecology and Climate, Energy and Resources